Friday, November 6, 2009

Slumdog Millionaire--What's the Point?


While on a recent road trip from Texas to Michigan, we stayed in motels along the way and at our destination. Since we do not subscribe to HBO at home, watching it on TV is a treat for us. Our lives do not revolve around movies, in fact, we may see two a year—sometimes not that many. As I checked the schedule one night, I saw that Slumdog Millionaire was a primetime feature. Great! I wouldn’t have to stay up far past my bedtime to watch a movie.


I told my husband the movie we’d see (he doesn’t care, and allows me to be the film critic of the family.) Indeed, we watched the entire movie, enjoying some parts, distressed at others. When it ended, my husband asked: “What was the point of the story?”

Very good question.

Plot: A Mumbai teen who grew up in the slums becomes a contestant on the Indian version of “Who Wants to be a Millionaire?” Because he knows answers he shouldn’t with his non-existent education, he is accused of cheating. The police arrest, interrogate, and torture him. During the interrogation, he tells the story of his life, including specific events that explain why he knows the answers.

Summary: The story is a fairy tale with great imagery and a happy ending—exhilarating, in fact. The movie will invoke pity, sadness, anger, fear, disgust, surprise, and happiness. You will want to cheer at the end. This combination is a perfect mix of emotions for every superb story.

But what is the point of Slumdog Millionaire? It is “How do we come to know the things we know about life and love?” (One comment about the movie gave this reason. I agree.)

The two young brothers in the story had no chance to learn anything about love except from other slum children and each other. Certainly their environment gave them pain, hunger, filth, extreme poverty, and fear. And yet, even after they lost their mother to a murderer, they seemed happy and cocky, fearless in many cases, and accepting of their surroundings. How could such a thing happen to these pitiful, hapless children?

Those of us who write about life and love draw on our human experiences. Each person has a unique story, and our beliefs and memories help shape our novels, our short stories, and us as adults. Even when a normal person like Stephen King can author such horrific tales, something along the way shaped his belief system and his memory bank.

The older brother in Slumdog acted as friend, teacher, and protector to the younger one—the brother who becomes the contestant. But as they neared the teen years, the older brother turned criminal the day he picked up a Colt 45 and realized he had power after all. He turned against his brother—or did he?

Watch the movie.

My published novels are a Western Historical Romance and one Western Contemporary Romance. My Coming Soon novel is also Western Historical. But…I also have several novel-length stories in my files. Some are women’s fiction with a light romance. A couple of them border on Inspirational romance. One is almost a YA novel. Whatever category they may fit, each one contains what I have learned and absorbed in my lifetime.

What I know about love and life appears—to some degree—in my stories. What about yours? Do you agree?

Celia Yeary
SHOWDOWN IN SOUTHFORK: eBook available at:
http://www.thewildrosepress.com/

ALL MY HOPES AND DREAMS-a Cactus Rose—
Print and eBook available at: http://www.thewildrosepress.com/

http://www.celiayeary.com/
http://www.celiayeary.blogspot.com/

Wednesday, October 21, 2009

California Cousins-A Tale of the Fifties


Growing up on the South Plains of Texas in the forties and fifties might have been the best thing that happened to me. No place on earth had such down-to-earth people, American values, and Golden Rule principles. My family thrived on the flat-as-a-pancake landscape, the dry clean air, and the friendship of neighbors who shared our hopes and dreams. Why, we thought we had the best there was, the lifestyle probably everyone in the United States wished they enjoyed.

That was in third grade, before the cousins from California came to visit.

Mother talked to us one night at the supper table. “Girls,” she said, “we’re having company next week.”

We sat up straight in our chairs, and with wide eyes, asked, “Who?”

“Your California cousins.”

The idea of visitors all the way from California seemed about the most exciting event we could imagine. Someone might as well have told us that Roy Rogers and Dale Evans were visiting, we were that thrilled. My little sister and I anticipated the arrival of Carrie and Donny with great enthusiasm. We talked and planned the games we would play and the sights we would show them.

A week later, a big, blue Cadillac pulled onto the packed earth driveway and parked behind our ancient black Ford. All four doors opened. We squealed, hollered, and ran out the door. Mother hurried, too, taking care to remove her apron, and smooth her curly black hair away from her face.

Our aunt stepped out, untied her headscarf, fluffed her tight curls, and looked around. Then—I swear—she lit a cigarette. Right there by the side porch. Mother hurried to her. “Sharon! It’s you! I’m so happy to see you.”

Right then, we knew the cousins would be different.

Donny stepped out of one back door, then Carrie came out the other. They stood and looked around as if they’d landed on Mars.

I walked up to them, and said, “Hidey, y’all. I’m Cissy and this is Jeannie. We’re your cousins.”

Donny squinted his eyes, sneered, and said, “Hidey? Y’all? You some kind of hillbilly?”

Well, this visit just got off to a rocky start.

“What do you mean?” I asked.

“Y’all isn’t a word. Don’t you know that?”

“Well, what should I say when I mean you all?”

“You.”

“But….”

This conversation went back and forth, until my slow brain understood that ‘you’ meant one…or more. Donny explained, “Or you could say ‘you guys.’”

“You’re wearing boy’s pants,” Carrie said. She looked at my blue jeans with the hems rolled into thick cuffs, my plaid shirt tucked in, and a belt cinched around my ten-year-old non-existent waist.

Carrie wore a pink dress with hardly any top. Shoulder straps held it up, and the short skirt had a ruffle around the hem. I wondered if I should run in and change clothes, except all of my dresses had complete tops and puffed sleeves.

Since it was late in the day, all we accomplished was to stare at each other as the adults carried in suitcases, pillows, and paper bags. Then all of us squeezed around the small table to have our supper.

The California cousins looked at the big bowl of black-eyed peas cooked with ham-hock, the cornbread, and the sliced onions. Donny exclaimed, “I will not eat cow food. What else do you have?”

My sister and I looked at each other. Neither of us knew black-eyed peas were food for cows, and here, we’d eaten them our entire lives.

“Eat your dinner, Donny,” his father said sternly.

Dinner? This was supper. I guessed our uncle didn’t know what time it was, since he’d been riding in a car for three days with nothing to do but drive.

My sister and I had to give up our narrow bed we shared and sleep on a pallet of quilts in the front room, crammed between the end of the divan and the wall. There were people all over the house. I heard a lot of griping and bellyaching before everyone finally fell asleep.

The next morning, Saturday, Daddy took our uncle out in the old black Ford to show him the town, the cotton crops, and the oil fields. I heard Daddy tell Mother they’d be gone the entire day, and not wait supper on them.

At the breakfast table, we ate Cheerios. Donny poured cereal level with the top of his bowl, and his mother didn’t say a word. When he added milk, he had to lean over and cup his hand and wrist around the edge of the bowl to keep the oats from spilling over. When he finished half his cereal, he began to talk. And talk, and talk. After many minutes, his mother calmly and sweetly said, “Donny, sweetie? More eating and less talking, please.”

Donny cracked up. He told her in a loud voice, “More talking and less eating, Mom!”

Mom. We’d never heard the word. The odd part was that Donny wasn’t scolded or anything. His “mom” just smiled and said to Mother, “He has a genius I.Q.”

My head was spinning with all the new information.

After breakfast, my sister and I put on dresses so we’d look as good as Carrie. Our hair was not the same, though. She asked, “Why is your hair so short?”

“Mother cuts it this way,” I informed her, “and gives us permanents.”

Carrie sniffed and turned up her nose. “My hair is fashioned like Shirley Temple’s. Mom takes me to the beauty parlor to have it done up.”

My sister and I looked at each other and shrugged. I made a mental note to talk Mother into never cutting my hair again, and taking me to a beauty parlor to have my hair “done up.”

Our mothers shooed us out the side door onto the dirt driveway between the houses. “Go play,” they said, as they poured more coffee, opened a big box of photographs, and set out the fingernail polish.

We took our cousins to the back yard that had no grass, just powdery, South Plains dirt. In the back corner, we had a low metal shed meant to be a garage, but it was too small for a car. It had become a storage shed and a playhouse.

“What do y’all…uh, you guys…want to play?” I asked hopefully.

While the cousins pondered, my friend Jack who lived next to us slammed out his back door and ran over. “Hey! Cissy! Wanna play cowboys and Indians?”

Well, I was in a dilemma. I’d put on a dress this morning, but now, Jack wanted to play our favorite game. While I thought on the matter, he suggested another game.

“We could play Superman. I’ll go get my towel!”

Off he ran to his house. When he emerged, he had a towel tied around his neck like a cape, and he carried his Red Ryder BB gun, too.

“Jack,” I said, “my daddy told you not to bring your BB gun into our yard. You know you could shoot somebody’s eye out, and you might even kill a person if a BB went into the heart.”

“It don’t have no BB’s in it, Cissy. I’ll just pretend it’s loaded.”

“Well, okay. I guess that’ll be all right,” I conceded.

The morning wore on. My sister and I tried to entertain our cousins, but they showed little to no interest. After a while, the five of us wandered about the dusty yard, trying to work up some enthusiasm for a game. My sister went to the porch and sat down with her elbows propped on her knees and her chin on her fists. Carrie sat on the swing and pushed herself back and forth, listlessly. I was mortified our cousins were bored and unhappy. I was afraid they’d never want to come to Texas again.

While I was cogitating, Jack leaned a ladder on the side of the shed. He announced he was Superman, and he was going to fly off the roof of the low shed. I ran to the ladder. “No! No, Jack, you’ll break a leg!”

“Well, okay,” he said and climbed back down.

He picked up his gun and hoisted it to his shoulder. “Pow! Pow, pow, pow!” he yelled, pulling the trigger each time, thinking there were no BB’s in there.

All of a sudden, I felt something hit my shin, and it began to sting. I looked down, and blood ran down my leg. The California cousins ran over and dropped to their knees to stare at my wound. I felt paralyzed with the pain, but I didn’t scream or cry. So, I sat down in the dirt and studied the purple lump in my shin. Jeannie ran over and squatted down to look. Jack stood over me and said, “Golly, bum! I shot ya, Cissy!”

He looked like he was about to cry, so I said, “It’s not that bad, Jack.”

Donny stood there, looking at my leg and the Red Ryder. “Let me see that gun,” he told Jack.

“Uh-uh,” Jack said, holding the gun close to his side. “Nobody can touch my Red Ryder.”

“Give it to me,” Donny insisted, and when Jack shook his head, Donny grabbed the gun and ran, laughing and laughing, like a lunatic, my mother might say.

After a few minutes of running around and chasing the other, Jack and Donny stopped. Both were huffing and puffing, out of breath.

I sat on the back stoop, with my little sister standing there, not knowing what to do, about to cry.

Donny walked up to Jack and said, “You want this BB gun? Then, take it, you yellow-bellied coward.”

In the blink of an eye, Jack grabbed the gun, ran to the shed, and climbed the ladder to the low roof. My sister, Carrie, and Donny ran over and stood in a little huddle, looking up, wondering what Jack would do. I limped to the group and stared at Jack.

Jack walked to the edge of the roof, looked down, and announced, “I’m gonna fly!”

And he jumped off. Instead of flying like he intended, he fell with a “whump” onto the hard-packed earth.

He lay there on his back with his eyes closed.

Donny dropped to his knees. “Jack! Jack! Wake up, buddy! Are you hurt? Are you dead? Get up, now!”

Jack sat up, moved his head from side to side, looked at Donny, and said with a grin, “Gosh darn. That hurt.”

Donny began to laugh and slapped Jack on the back. “You’re a real hero, a real, live Superman! Damnation, if you aren’t something.”

If I recalled correctly, ‘damnation” was a curse word.

At the end of the week, the California cousins packed up, ready to go home. Jeannie and I hovered near the car, almost in tears. Carrie hung out the window, saying, “Bye, now! Come to see us in California! We’ll all go to the beach!”

Donny asked his dad, “Can we come back next year?”

My sister and I stood in the driveway as the blue Cadillac pulled out onto the street, and sped away.

Jeannie asked, “Cissy, what’s a beach?”

I shrugged. “I dunno, but I can’t imagine what they do in California for fun.”


Celia Yeary


SHOWDOWN IN SOUTHFORK—eBook

ALL MY HOPES AND DREAMS-a Texas Historical
eBook: The Wild Rose Press
Print: The Wild Rose Press print-store, or
Amazon.com


Tuesday, October 13, 2009

Top Ten Romance Novels



I love Top Ten lists. About anything. Movies, novels, games, foods, cars—you name it and I will read it.

A recent list I found had the title “Top Ten Romance Novels of All Time,” by birdsherry. While I can’t agree these are the best of all time, I do like the selections and heartily agree with two or three.

The problem with some lists is that the title is too broad. Best romance novels of all time? Classic or Contemporary? Regency or Western? Sweet or Erotic? Time-Travel or Vampire? Most Popular or Best Plot? The possibilities are endless.

Here is "birdsherry’s" list:

1. Outlander by Diana Gabaldon

2. Knight in Shining Glory by Jude Devereaux

3. It Had To Be You by Susan Elizabeth Phillips

4. The Bride by Julie Garwood

5. Dream Man-Linda Howard

6. Flowers from the Storm by Laura Kinsale

7. Morning Glory by LaVyrle Spencer

8. McKenzie’s Mountain by Linda Howard

9. Nobody’s Baby But Mine by Susan Elizabeth Phillips

10. Lord of Scoundrels by Loretta Chase.

LaVyrle Spencer’s novel have stood the test of time. She wrote, I believe, 26 novels and retired. They were old when I discovered them, and now, each is being re-released with new covers. I have all her novels collected and safe in a cabinet. Most have the old covers, and now, I’m in the process of collecting every one of them with the new covers. I’m a real fan.

Susan Elizabeth Phillips’ novels are wonderful. There, too, I have read every one. She is a unique author, with an unusual voice and way of writing that keeps the reader moving. Her sense of humor and timing is impeccable.

I may be the last romance reader on the face of the earth who has not read Diana Gabaldon. I’ve noticed anytime someone mentions her as one of the greats, her novel Outlander is usually named. A vow to Ms. Gabaldon—I will read Outlander.

Celia Yeary

www.celiayeary.com

http://www.celiayeary.blogspot.com

http://groups.yahoo.com/group/thebookspa

http://twrpcactusrose.blogspot.com

ALL MY HOPES AND DREAMS-a Cactus Rose—

Print and eBook available at: www.thewildrosepress.com

SHOWDOWN IN SOUTHFORK: eBook available at: www.thewildrosepress.com

Wednesday, October 7, 2009

Mini-Interviews: Bess McBride, Mona Risk, and Keena Kincaid


Welcome Bess, Mona, and Keena. I’m pleased you agreed to participate in my second Mini-Interview. When I count all the Five Star reviews you three have received, the total is awesome. While you each write a different genre, your talent and success are equal in excellence.

Visitors to my blog, welcome, also. I have asked the same three questions of each author. You will enjoy reading their responses! Celia Yeary

1. What particular challenge do you remember from writing your first published novel?



BESS: Learning how to see my editor’s criticism, comments and (massive…in my mind) edits more as constructive help and less as a personal affront. I remember asking her if she even liked the story at one point, so numerous were the edits!  But I learned a great deal from her and continue to appreciate her brisk handling of this starry-eyed new author.


MONA: TO LOVE A HERO was my first book and the book of my heart, based on my business travels to Belarus, but I was told by several editors that the setting, a Russian country, would be too difficult to sell. In spite of the lack of encouragement, I was so determined to have that book published I spent four years editing my manuscript, entering contests to have judges’ feedback, asking mentors and critique partners to read it. At least, twenty writers and published authors offered help and useful critique. I took their advice to heart and edited non stop until it won a perfect three scores in FTHRW Wallflower contest. I knew that unless it was very well written, it wouldn’t stand a chance.





KEENA: My challenge was figuring out how to market ANAM CARA to agents and editors. Like many authors, I spent the bulk of my time making the story sing, and it took a slew of rejections before I realized I needed to work just as hard on the marketing side.


2. What’s the toughest part about competing with other writers?

BESS: Learning (or trying to learn) not to compete with other writers, but to assume (and hope) that there is room for all of us in readerland. I’m still working on it though!

MONA: Except in contests, I don’t compete with other writers. I write because I enjoy telling stories. I cry and laugh while writing and live my characters’ emotions. I think every story is unique and depends on the author’s voice to make it an interesting book that grabs the reader’s attention. You cannot compare authors’ voices. Either you love them or you don’t.

KEENA: This may be naïve, but I don’t view myself as being in competition with other writers. This business is so subjective that there’s no way to compete. An editor and/or agent likes your voice or doesn’t. The readers like your story or they don’t.
I consider myself my own competition. I need to be better with every book. I have to always challenge myself as a writer and a storyteller, yet still offer that “thing” that captured readers’ hearts in my previous books. And that “thing” differs depending upon whom you ask.
One of my readers loves the fact that my hero and heroine in ANAM CARA are older and more stable, if set in their ways. Their relationship evolves differently than it would if they were younger. There may be less drama, but the stakes are higher because both of them suspect this is their last chance at finding abiding love. This reader, who also read an advance copy of TIES THAT BIND, the sequel to ANAM CARA, didn’t like the more emotional, self-centered attitude of my much younger hero at the beginning of the book. Yet another beta reader loved the emotions, actions and raw passion that came with his youth, and loved his character arc. So, my take away is I need to write authentic stories in which readers can connect with my characters’ emotions, regardless of what that emotion is. If only there was a magic formula for doing that. 

3. Which genres interest you most when writing? Would to try a completely different genre?

BESS: I’m more interested in contemporary than other genres, but I actually end up writing more light paranormal…that is to say, contemporary with a bit of something different…be it a lovelorn ghost or a mysterious pirate who exists beyond his time. And I just love time travel though I’ve only written one. I’ve actually tried most of the genres. I think I would enjoy including time travel, contemporary, historical, light paranormal and romantic suspense.

MONA: I like writing contemporary stories, romantic suspense, set in foreign countries, or medical romances, in the genre of Gray’s Anatomy and ER. By the way, all my heroes are foreigners and all my heroines are American career women.
Recently, I have been daydreaming about a new story totally different: a hilarious paranormal, slightly erotica, set in several foreign countries. The story is developing in my head and I wrote 1000 words so far.

KEENA: I write historicals, sometimes with paranormal elements. My scholarly career was pretty much limited to the centuries between Rome and the Renaissance, so it’s no surprise I write that. I plan to pen a contemporary one of these days, if only to take the shackles off my dialogue.

Thank you all!
Celia

Direct buy links:

BESS:
On a Warm Sea of Love: at TWRP
http://www.thewildrosepress.com/on-a-warm-sea-of-love-p-3673.html?zenid=f0c9c5b8caee25c00b8e3c68704ce935

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
MONA:
Babies in the Bargain: at TWRP
http://www.thewildrosepress.com/babies-in-the-bargain-p-1298.html
*********************************************************
KEENA:
Anam Cara: at TWRP
http://www.thewildrosepress.com/anam-cara-paperback-p-3287.html?zenid=1088171c1f80892c6b314a16f94288e0

Thank you all, Celia





Wednesday, September 30, 2009

Memories of Autumn Leaves


“This heat and humidity is killing me,” my husband mutters as he carries out yet another loaded box to the van. “Can’t wait to get on the road.”

The calendar reads October fifteenth, but in Texas the ever-present heat and sweltering humidity still tortures us.

“Um-hum,” I answer, when he re-enters the kitchen and I hand him another filled box. “Me, too. I hope the trees have turned real pretty. Do you have plenty of memory on your camera? My card holds only two hundred and fifty shots.”

“Yeah, I think I have three hundred or so. We can always get more.”

“Well, remember, half of my photos will be of the boys. Aren’t all three of them at cute stages?”

He walks out the garage door carrying the box without answering. Upon return, he replies, “Sure they are. I just wish they didn’t live in Michigan.”

“You do?” I ask, surprised. “I love the three-day drive. Even northern Arkansas will have pretty autumn trees.”

“No, that happens more in November. Remember the year we drove up there just to see the leaves? It was November.”

I pause and think. “Oh, that’s right. Well, I bet we start seeing some color by the time we’re half-way across Tennessee.”

“Most likely. I love our live oak trees, but they don’t do anything. Just stand there and stay green all year. At least it’s better than West Texas or the Plains. I grew up not knowing a thing about trees and certainly nothing about autumn leaves.”

“Me, too. When I was in grade school, I loved autumn because we got mimeographed pages with different outlines of leaves. I had no idea what kind they were, but I knew to use my orange and yellow and red crayons, because I had seen them in picture books.”

My husband leans his back on the kitchen counter and crosses his arms. “Isn’t it funny? Our son sees those beautiful leaves as nuisances. I guess I’d understand it, though, if I had to rake them all up and dispose of them.”

“I suppose. Oh!” I exclaim happily with my hands clasped under my chin. “I can’t wait to see them! And for three whole weeks.”

He throws his head back and laughs. “What? The grandchildren or the autumn leaves?”





Celia Yeary

www.celiayeary.com

http://www.celiayeary.blogspot.com

http://groups.yahoo.com/group/thebookspa

http://twrpcactusrose.blogspot.com

ALL MY HOPES AND DREAMS-a Cactus Rose—

Print and eBook available at: www.thewildrosepress.com

SHOWDOWN IN SOUTHFORK:eBook available at: www.thewildrosepress.com